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  The man slipped his hand inside her dress and began to fondle her breast. The camera caught the flinching in her eyes; she so didn't want him to do it, but nothing except her eyes was able to say no.

  "Did they give her a sedative that keeps her immobile?" Zerbrowski asked.

  "We looked into that," Manning said, "and if she'd been alive then maybe, but we know she isn't alive. Notice she never breathes. A live human being needs to breathe. She's a zombie, so she could be kept immobile just by orders from whoever raised her."

  "Does she breathe in later films?" I asked.

  "She talks, and you have to take air in to do that, but other than that, no."

  The man was wearing a pair of silk boxers with hearts on them, like a parody of dressing up for a romantic evening, except for the mask, which didn't match the almost silly-looking shorts. Yes, I was concentrating on details that might help me find any clue to who this was or where it was happening, but I was also already trying to concentrate on the details that wouldn't haunt me as much. The silly heart shorts were almost a kindness, a break in the horror, like whoever was picking out the costumes had goofed.

  I missed the heart-covered shorts when he stripped them off, because then I had to concentrate on his body, looking for birthmarks, or tattoos, or anything that made him not a generic guy in a mask. I didn't want to look at his body, didn't want to search every inch of it for identifying marks. I wanted to look away, but if the woman, because that's what the eyes meant, if the woman in the film had to endure it, then I wouldn't look away. I would not flinch and miss some visual that might lead us to these bastards. Though part of me knew that if just watching the films would lead anywhere, the FBI would have found it by now. But I watched it anyway, because most cops believe that they will see something that everyone else has missed, it's the hope that keeps us all putting on the badge and gun every morning. When that hope runs out, we find different jobs.

  A man off camera told her to lie on the bed and she did it instantly even while her eyes showed just how much she didn't want to do it. The naked man in front of the camera slid her panties down those long legs that were still covered in grave dirt, the one high heel still on. Someone had painted her toenails a soft pink, as if it still mattered with closed-toe shoes and a corpse. I expected more of her clothes to come off, but the naked man just climbed on top of her with no preliminaries, except to move her dress a little out of the way.

  Zerbrowski breathed out, "Jesus," behind me.

  I didn't look at him, I didn't look at anybody, and none of us looked at each other, because when watching this kind of shit, no one wants eye contact. You don't want the other officers to know you're afraid, or too emotional, and if anything this awful excites you, you don't share that either. None of the other cops want to know.

  The only plus was that the camera had moved back enough to catch the sex, so we couldn't see her eyes. She just lay there like the corpse she almost was, and that was the only tiny saving grace. He ended by taking his dick out of her body and did the obligatory porn movie end to show that he'd actually gone.

  The film ended there, and I felt my gut loosen a little. I'd watched it all, bully for me. Bully for us all.

  "The production value goes up as the films progress," Brent said.

  I turned and looked at him. "What do you mean?"

  "The almost joke-worthy boxers go away, but the camerawork gets better, and they put more personal touches around the bedroom to make it look less like a set and more real," he said.

  "Is it always the same guy on stage?" Zerbrowski asked.

  "For most of the films, but there's a second, younger-looking guy featured in the last two," Brent said.

  "How many films are there?" I asked.

  "More than I want to sit through again," Manning said.

  I looked at her and saw a terrible tiredness in her eyes, as if just watching the one film had aged her. She shook her head. "Play the next one, Brent; let's just get this over with."

  I didn't tell her she didn't have to watch them again, I let her handle her own shit, to do anything else would have been a breach of the "guy code" that all police work revolved around. The sex of the police officer didn't change the code. I only broke it with friends, or when I couldn't help myself, like Manning had when she asked about my engagement. That seemed like a long time ago, and Brent was right: pretty, pretty princess talk was looking a whole lot better.

  3

  THE FILMS WERE relentless. They eventually got her out of her burial clothes. We saw the zombie naked, in lingerie inexpertly put on her, so that I was pretty sure there was no woman on their crew. By the fourth film the zombie looked more rotted, which is something that happens to zombies eventually, no matter how good they look at the beginning. Zombies rot, it's one of the things that sets them apart from ghouls, or vampires; not all corpses are created equal.

  I waited for the rot to spread, but it didn't. It just stayed with one eye filmy white, while the other was still clear and grayish-blue. Her skin had taken on a bluish tinge, and the cheeks had begun to collapse inward; the breasts were only perky because the implants held them up, but her body looked different naked now, more skeletal, but that was it. There were no other changes, the rot just stopped in midprocess, and her eyes were still full of terror. Sometimes they let her talk and she begged them not to make her do this or that, but seemed unable to disobey that male voice just off camera. I was betting it was the animator who had raised her from the grave. At first I'd thought the animator had raised her, taken his money, and fled, but now I knew he had to be nearby, because the rot had started and then stopped, and for that you needed voodoo of the blackest kind.

  "Well," Zerbrowski said, "I'll give the sleazebag props for stamina, but it's a shame that abuse of a corpse isn't a capital crime."

  Brent paused the images; I think any excuse at this point to take a breather sounded good to all of us. "We thought they were just changing clothes on her to make it look like time was passing, at first," Brent said. "But notice the calendar on the wall."

  "It's not just there to make it look more homey?" Zerbrowski asked. He made little air quotes around "homey."

  "Nobody puts a calendar in their bedroom unless it's the only space they have to live in," I said.

  "Exactly," Manning said, "did you notice?"

  I thought for a second. "The month changed."

  "Zombies rot, always, that's the rule that Anita taught me. It can't be a month later."

  She nodded. "It's not proof that much time actually passed, but we think it may be their way of showing clients that they've done something very unique."

  "Her soul is back in her eyes, that wasn't unique enough?" I asked, and my voice didn't sound neutral the way I tried to sound this early in an investigation. I wasn't sure I was going to be able to pull off neutral with this case; sometimes you can't.

  "You saw it," Manning said.

  "We both saw it," Zerbrowski said.

  "Would you have said her soul was back in her eyes, Sergeant?"

  "I'm not that poetic."

  Manning looked at me. "I don't think Marshal Blake was being poetic."

  Zerbrowski looked from her to me. "I think I'm missing something."

  "Don't feel bad," Brent said, "it took us weeks to figure it out."

  "Figure out what?" he asked.

  "Were you being poetic, Marshal Blake?" Manning asked.

  "No."

  "Enlighten us," she said, and there was something in the way she said it that I didn't like. It was just an undercurrent, but if I had to bet, I think something I'd said, or done, while we watched the films had made her suspicious of me. I wondered, if it hadn't been a male voice ordering the zombie around, if they'd have looked at me as a suspect from the beginning. I hoped not, but a lot of people still saw my psychic ability as evil. Hell, the Catholic Church had excommunicated us all unless we gave up raising the dead, because only Jesus was allowed to do that. Biblical scholars had poin
ted out that four of his disciples had done it, too, but the Pope, at the time, had found comparing zombie-raising pagans to the disciples of Jesus Christ less than amusing.

  "Her soul, her personality, whatever you want to call it, seems to be in the body, except you can't raise a zombie from the grave if the soul is still in residence," I said.

  "So how do you explain it?" she asked.

  "She was just a walking corpse in the first film. Her eyes were empty, she was an it, but between that and the first sex tape that changed."

  "How?" Manning asked.

  "You've got witches and psychics on the payroll at the FBI now. You even have at least one animator. What'd they come up with?"

  "Nothing," she said.

  Brent added, "They all saw what you see, that she was in there somehow, but no one had a clue how it was accomplished."

  "Do you know how it was done?" Manning asked.

  I nodded. "I've seen it done once."

  "Give us a name and we may have our guy," Brent said, all eager for a clue.

  "It was a woman, and she's dead." I added, "I believe she's dead."

  "Give us a name, we're good at finding people," Manning said.

  "Dominga Salvador. She was the most powerful vaudun priestess in the midwest."

  "She went missing just after she challenged you."

  I raised eyebrows at Manning. "Challenged me? You mean sent killer zombies into my apartment to murder me? If that's your definition of challenge, then okay."

  "Some of the local law enforcement officers thought you'd killed her in self-defense."

  "The local leos didn't trust me as much before I had a badge."

  "I trusted you," Zerbrowski said.

  I smiled at him. "You liked me. I don't know if you trusted me."

  He grinned and seemed to think about it. "I can't remember for sure, but I know that long before you got your own badge you proved anything you needed to prove to me."

  "Aw, shucks, Zerbrowski, you're going to make a girl blush."

  He grinned wider and offered me his fist. I bumped it gently.

  "Nice distraction there, Sergeant," Manning said.

  "I don't know what you mean, agent," he said.

  Her lips curled down in a face that said, clearly, she knew that he knew exactly what he'd done. "It's going to take more than that to distract me."

  "And that's the truth," Brent said. His partner gave him an unfriendly look and he held his hands out empty, as if to say, didn't mean any harm.

  "Why do you think Dominga Salvador is dead?" Manning asked.

  "Because I'm alive, and once a person like the senora wants you dead, she doesn't give up."

  "How do you think she died?"

  I tried to appear nonchalant and was glad that I did a better blank-cop face than I had years ago when I'd known Dominga Salvador, because I was about to tell a very big lie to the FBI. "I have no idea." I could feel my pulse speed in my throat, if I'd been on a Polygraph, I'd have failed.

  Manning studied my face like she'd memorize the number of eyelashes I had. I stayed blank and slightly smiling, and felt my eyes dead and empty as last year's New Year's resolutions. I wanted to look away from her so badly it almost hurt, but I didn't. I knew exactly how Dominga Salvador had died, because I had killed her.

  Affliction

  Laurell K. Hamilton

  Had everyone bitten tonight caught this? The other bites had not looked like vampire bites. They'd been zombie, or human looking. Was this infection something that vampires and shapeshifters could catch? If it was, then it was something new.

  Some zombies are raised. Others must be put down. Just ask me, Anita Blake, Vampire Hunter. Before now, I figured I could handle them. Before now, I had never heard of any of them causing human beings to perish in agony. But that's all changed. These creatures hunt in daylight, and are as fast and strong as vampires. If they bite you, you become just like them. And round and round it goes . . .

  Where will it stop? Even I don't know.

  Praise for Laurell K. Hamilton: 'Hamilton remains one of the most inventive and exciting writers in the paranormal field' Charlaine Harris 'Anita Blake is one of the most fascinating fictional heroines since Scarlett O'Hara' Publishers Weekly

  978 0 7553 8905 6

  Kiss The Dead

  Laurell K. Hamilton

  I knew without doubt that if any more of the vampires tried to attack us I'd kill them, too, regardless of apparent age, race, sex, or religious affiliations. I was an equal-opportunity executioner; I killed everybody.

  My name is Anita Blake and I am a vampire hunter and necromancer, as well as a US Marshal. So when a fifteen-year-old girl is abducted by vampires, it's up tome to find her. And when I do, I'm faced with something I've never seen before: a terrifyingly ordinary group of people - kids, grandparents, soccer moms - all recently turned and willing to die to avoid serving their vampire master. And where there's one martyr, I know there will be more . . .

  But even vampires have monsters that they're afraid of. And I'm one of them . . .

  Praise for Laurell K. Hamilton:

  'Hamilton remains one of the most inventive and exciting writers in the paranormal field' Charlaine Harris

  'Anita Blake is one of the most fascinating fictional heroines since Scarlett O'Hara' Publishers Weekly

  978 0 7553 8901 8

  Hit List

  Laurell K. Hamilton

  We followed the fresh blood even though every molecule in my body was screaming for me to run. Run before dark. Run before the Vampires come. Run.

  My name is Anita Blake. The vampires call me 'The Executioner'. After a series of gruesome murders in the Pacific Northwest, the local police call in me and fellow US Marshal Edward to track down a serial killer they are convinced must be a 'monster'.

  But I know that some monsters are very real. The Harlequin are a secret so dark, even to speak their name can earn you a death sentence. Now they're here, hunting weretigers and human police. And me.

  The Harlequin serve the Mother of All Darkness, the first vampire. Back from the dead, she's determined to kill Edward and to possess me. And she doesn't care how many others have to die along the way.

  Praise for Laurell K. Hamilton:

  'Hamilton remains one of the most inventive and exciting writers in the paranormal field' Charlaine Harris

  'Anita Blake is one of the most fascinating fictional heroines since Scarlett O'Hara' Publishers Weekly

  978 0 7553 7092 4

  Bullet

  Laurell K. Hamilton

  If I had ever wanted to give in to hysterics, it was then. How do you fight something with no body to kill? How do you fight something that can possess the most powerful vampires in the world and use them like puppets?

  My name is Anita Blake and I try very had to live a normal life in St Louis - as normal as possible for someone who is a legal vampire executioner and a US Marshal. But then a vampire from my past reaches out. She was supposed to be dead, but the Mother of All Darkness is the first vampire, the dark creator, and it's hard to kill a god.

  She believes that the triumvirate created by master vampire Jean-Claude with me and the werewolf Richard Zeeman has enough power for her to regain a body and to emigrate to the New World. But the body she wants to possess is already taken; I'm about to learn a whole new meaning to sharing my body, one that has nothing to do with the bedroom. And if she can't succeed in taking over my body for herself, she means to see that no one else has the use of it, ever again . . .

  'Hamilton remains one of the most inventive and exciting writers in the paranormal field' Charlaine Harris

  978 0 7553 7091 7

  Flirt

  Laurell K. Hamilton

  I've earned my reputation, but if you really did your research on me then you also know that I don't raise zombies for kicks, or thrill seekers, or tormented relatives unless they have a plan . . .

  I am Anita Blake, vampire hunter and necromancer, and when I meet
with Tony Bennington, who is desperate to have me reanimate his recently deceased wife, I fell sympathy for his loss. After all, I know something about love, and I know everything there is to know about loss. But I also know that what I can do as a necromancer isn't the miracle Tony thinks he needs. The creature that I could coerce to step out of his late wife's grave would not be the lovely Mrs Bennington Not really. And not for long.

  I have been relaxing just a bit with the men in my private life. The affectionate warmth of being with them seems to bring out something softer in me, a sense of safety I can almost trust. They do love me; that part is for ever and for sure. But flirting with feeling safe is a dangerous thing . . .

  'Hamilton remains one of the most inventive and exciting writers in the paranormal field' Charlaine Harris

  978 0 7553 7441 0